Buy this shirt: My Mother Didn’t Raise A Princess She Raised A Valkyrie Shirt
Two of Twigs’s primary sources of inspiration for the “Papi Bones” visuals were the Instagram archive accounts Trash and Ready and Rudeboard, both run by the London-based art director and curator Angela Phillips, whose insights into the dancehall scene of decades past profoundly influenced Twigs’s approach with her collaborator on the project, photographer and director Aidan Zamiri. “When I was younger, one of the first clubs I went to was called the Jamaican club in Gloucester, where they played a lot of dancehall and bashment, and [seeing Phillips’s Instagram] was the first time that I’d seen my teenage clubbing years replicated in such an authentic way on the internet,” says Twigs.
Two of Twigs’s primary sources of inspiration for the “Papi Bones” visuals were the Instagram archive accounts Trash and Ready and Rudeboard, both run by the London-based art director and curator Angela Phillips, whose insights into the dancehall scene of decades past profoundly influenced Twigs’s approach with her collaborator on the project, photographer and director Aidan Zamiri. “When I was younger, one of the first clubs I went to was called the Jamaican club in Gloucester, where they played a lot of dancehall and bashment, and [seeing Phillips’s Instagram] was the first time that I’d seen my teenage clubbing years replicated in such an authentic way on the internet,” says Twigs.
“Twigs and I would have conversations about the style, and we’d literally just talk for hours,” says Phillips. “It was very flirtatious, it was very braggadocious, and we didn’t do things by halves. You wanted to be seen. I remember growing up and one of my cousins getting ready to go to one of the dances—the preparation took a lot of effort—and you can really see the amount of time that goes into these outfits. But it was never contrived, it always came very organically. I think why I’m drawn to it is that it’s really the genetic makeup of who we are, in terms of dancehall culture and Black British culture.”
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